College prodigy is first woman tuba player in top orchestra

ANN ARBOR, Mich. -- It was 9:30 on a Saturday night, and Carol Jantsch was at an ultimate frisbee tournament when her cell phone rang with an audition invitation from the Philadelphia Orchestra, one of America's finest symphonies.\nAlmost one year later, after beating out 195 other musicians during an arduous tryout process, the 21-year-old University of Michigan senior is the first woman -- and perhaps the youngest person ever -- to earn a tuba seat with a top-five U.S. symphony.\n"This is no surprise for us," said Michael Haithcock, Michigan's director of bands. "Over four years, we've just been accustomed to Carol's depth of talent."\nThe soft-spoken Jantsch, daughter of an emergency-room physician and a vocal-music instructor, said her parents unwittingly started her tuba career when they forced her to take piano lessons at age 6.It didn't take long for her mother, Nancy, who teaches at Kenyon College in Gambier, Ohio, to hear her daughter's talent: "She could make the simplest stuff sound very musical."\nCarol Jantsch became interested in low brass when she was 9 at an arts camp. She picked up a euphonium, the tuba's smaller cousin, and could play it immediately.\n"I always knew I was sort of ahead of the game," Jantsch said.\nShe began playing consistently in elementary school and started to dabble in tuba in seventh grade. When she enrolled at the Interlochen Arts Academy, a boarding high school for talented artists near Traverse City, Mich., she auditioned against two upperclassmen for first chair in the top band.\n"She just wasted them," recalled her instructor, Tom Riccobono.\nInterlochen helped her grow socially, Riccobono said. Instructors marveled at her math skills, and she discovered ultimate frisbee, a game similar to football.\nAlthough she plays an instrument normally reserved for men due to their larger lung capacity, tuba professors say it doesn't matter.\n"You still have to be efficient," said Don Harry, associate professor of tuba at the Eastman School of Music in Rochester, N.Y. "She's the most efficient person, probably on the planet."\nShe won a seat in Michigan's top symphony band, one of only two or three freshmen to do so. Tuba instructor Fritz Kaenzig recalled that in Jantsch's first studio class, she played a difficult sonata from memory.\n"All the graduate students kind of looked at each other and rolled their eyes and said 'Oh, no,'" he said.\nAs a sophomore at Michigan, Jantsch auditioned for the New York Philharmonic, finishing as a semifinalist. She kept looking for jobs, though major orchestra tuba posts open only once every two or three decades. When Philadelphia's opened in 2005, Jantsch applied but was summarily rejected for lack of professional experience.\nHer breakthrough came when she sent a CD to apply for Bar Harbor Brass Week, a summer program for college students in Maine.\nBlair Bollinger, the Philadelphia Orchestra's bass trombone player and chair of its tuba audition committee, is Bar Harbor's music director. He listened to Jantsch's CD, a performance of a difficult violin concerto she had transcribed for tuba.\n"It really was expressive and technically brilliant," Bollinger said. "I was just sort of flabbergasted."\nThe Philadelphia Orchestra granted her an audition. She made the first cut, but no one emerged as a solid favorite in round two. So six musicians, including Jantsch, were asked to fill in for the orchestra's longtime tuba player, who retired last May.\nIn February, the committee called back 25 tubists for final auditions. In the initial rounds, musicians were behind screens so the judges couldn't see them.\nJantsch advanced to the finals, and on Feb. 22 played without a screen against two men with far more orchestra experience, Bollinger said.\n"I was happy with what I did," Jantsch said. "I knew it was representative of my playing. That's all you can really ask for."\nAt 11:30 p.m., the personnel director told all three that Jantsch had won the job, which pays about $102,000 per year.\n"What an awesome feeling," Jantsch said. "It was so great to be daydreaming about something for such a long time and actually have it come true."\nShe probably will start in Philadelphia in September.\nAlthough it's unusual for such a prestigious orchestra to take on someone so young, Kaenzig knows Jantsch has the talent to succeed.\n"I feel like the Philadelphia Orchestra is getting somebody who is going to bring them great honor," he said. "They're taking a chance, but not really"