Film

COLUMN: 5 unconventional horror films to watch this October

By Chloe Fulk · Tuesday, Oct. 11,2022 11:24 a.m.

Branch out from the classics and watch something new this Halloween season.

Black Voices: Black Film Archive creator Maya Cade concludes IU Cinema project

By Maria McComish · Sunday, Oct. 9,2022 12 p.m.

Curator of The Black Film Archive Maya Cade discussed the motivation behind her work.

COLUMN: 5 years after the release of ‘Columbus,’ the film’s impact is stronger than ever

By Chloe Fulk · Thursday, Oct. 6,2022 3:25 p.m.

The film was shot entirely in Columbus, Indiana, and features many locals as background extras.

COLUMN: ‘Bros’ is the silly gay romantic comedy we all need

By Charlotte Jones · Wednesday, Oct. 5,2022 4:36 p.m.

Not all gay love stories are centered around traumatic and painful experiences.

COLUMN: Andrew Dominik wants Marilyn Monroe to suffer in ‘Blonde’

By Chloe Fulk · Tuesday, Oct. 4,2022 1:44 p.m.

The film is a misguided and uncaring depiction of Monroe’s tumultuous life.

Black Voices: 'Home is Where the Heart is' screens ‘Dreaming Rivers’ and ‘Black Mother’

By Jay Upshaw · Sunday, Oct. 2,2022 11:31 a.m.

Maya Cade’s film series had its third showing on Sept. 22.

IU Moving Image Archives to start monthly screenings Sept. 29

By Sophie DeWael · Wednesday, Sept. 28,2022 9:42 a.m.

Each month’s screening will connect to a different theme.

COLUMN: Harry Styles was right: ‘Don’t Worry Darling’ is a movie that definitely feels like a movie

By Chloe Fulk · Tuesday, Sept. 27,2022 4:37 p.m.

An intriguing premise and stunning visuals can’t save the film from its own writing.

Buskirk-Chumley to host horror film ‘So Cold the River’ Sept. 30

By Taylor Satoski · Tuesday, Sept. 27,2022 11:22 a.m.

The New York Times Bestselling novel’s film adaptation was filmed near Bloomington.

COLUMN: Stephen Chow’s ‘The Mermaid’ is a warning about environmental negligence

By Emma Fecteau · Monday, Sept. 26,2022 9:05 a.m.

The movie's underlying message goes beyond the forbidden lovers' trope in Romeo and Juliet.

COLUMN: ‘Pearl’ is an unhinged, technicolor nightmare that you won’t want to wake up from

By Chloe Fulk · Thursday, Sept. 22,2022 6:12 p.m.

The film is the second installment of Ti West’s “X” franchise.

Black Voices: IU Cinema screens ‘A Different Image’ and ‘Alma’s Rainbow’

By Jaicey Bledsoe · Wednesday, Sept. 21,2022 2:54 p.m.

These films were screened for the second event in Maya Cade’s curated series.

COLUMN: Cozy up to these five iconic fall films

By Erin Stafford · Tuesday, Sept. 13,2022 9:26 a.m.

Fall into the season of pumpkins with films set against the backdrop of autumn.

COLUMN: The ‘Jaws’ re-release proves nothing can beat the theatrical experience

By Chloe Fulk · Thursday, Sept. 8,2022 9:25 a.m.

The 47-year-old film was put back in theaters on Sept. 2 with an updated IMAX and 3D conversion.

Black Voices: IU Cinema presents: ‘Home Is Where the Heart Is’ through Oct. 1

By Jay Upshaw · Wednesday, Sept. 7,2022 4:26 p.m.

IU Cinema is screening films in the “Home is Where The Heart Is” series.

COLUMN: 5 films premiering at the major fall film festivals to keep on your radar

By Chloe Fulk · Wednesday, Aug. 31,2022 2:43 p.m.

Every year, cinephiles flock to these cities to watch some of the year’s most anticipated films.

COLUMN: ‘Bodies Bodies Bodies’ is a chaotic and wickedly funny portrait of Gen Z culture

By Chloe Fulk · Thursday, Aug. 25,2022 3:39 p.m.

The satire features an energetic ensemble cast and an appropriately unhinged soundtrack.

Black Film Center & Archive to present open house Sept. 7-8

By Ellie Albin · Tuesday, Aug. 23,2022 4:52 p.m.

The two-day open house will allow visitors to explore the Wells Library space.

COLUMN: ‘Nope’ is an ambitious examination of our obsession with spectacle

By Chloe Fulk · Tuesday, July 26,2022 11:47 a.m.

Jordan Peele’s third film fuses Americana iconography with sci-fi set pieces and pure terror.

COLUMN: Netflix’s ‘Persuasion’ and the problem with modernizing classic literature

By Chloe Fulk · Sunday, July 24,2022 11:07 a.m.

The new adaptation strips all the nuance from Jane Austen’s original novel.

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