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Film

COLUMN: Exploring technological innovation in ‘Here’, AI taking over film world

By Jaymi Curtis · Tuesday, Nov. 19,2024 3:49 p.m.

“Here” analyzes memory, loss and human connection through artificial intelligence, blurring lines across time.

COLUMN: ‘Wicked’ defies gravity and expectations

By Ursula Stickelmaier · Tuesday, Nov. 19,2024 3:01 p.m.

“Wicked” brings Broadway-worthy performances to theaters this November.

COLUMN: 'Hot Frosty' is a disservice to snowmen everywhere

By Ursula Stickelmaier · Monday, Nov. 18,2024 2:36 p.m.

COLUMN: ‘Heretic’: not a horror film but a gripping investigation of religion

By Sophie Albert · Thursday, Nov. 14,2024 5 p.m.

The monologue-heavy film opens the door for philosophical discussions about religion.

COLUMN: Disney nostalgia is not a business strategy

By Ursula Stickelmaier · Tuesday, Nov. 12,2024 12:57 p.m.

Disney’s revival of classic shows and movies is lazy at best, harmful at worst.

COLUMN: What Thanksgiving-based films to watch this holiday

By Ursula Stickelmaier · Monday, Nov. 11,2024 10:18 p.m.

An entertainment recipe for the perfect Thanksgiving.

COLUMN: ‘Joker: Folie à Deux,’ disappointed. Will ‘Wicked’ do the same?

By Jaymi Curtis · Sunday, Nov. 10,2024 3:27 p.m.

Exploring "Joker: Folie à Deux" and "Wicked," what they bring to the table.

COLUMN: Netflix’s ‘Time Cut’ leaves viewers with several loose ends

By Ursula Stickelmaier · Wednesday, Nov. 6,2024 3:30 p.m.

Netflix misses the mark on so many levels with this confusing slasher film.

Episode 2: Pulp Fiction

By Stella Gruchalski · Sunday, Nov. 3,2024 12:40 p.m.

"That Sounds Like a Movie" is a podcast examining music in films.

COLUMN: A red carpet to the White House

By Ursula Stickelmaier · Sunday, Nov. 3,2024 10:36 a.m.

The entertainment industry has illustrated some of the most important moments in American politics.

COLUMN: Does ‘Woman of the Hour’ do justice to the victims of the ‘Dating Game Killer’?

By Sophie Albert · Wednesday, Oct. 30,2024 5:27 p.m.

Does focusing on his dating show appearance honor the killer’s victims in film portrayal?

COLUMN: Horror hits for Halloweekend

By Ursula Stickelmaier · Wednesday, Oct. 30,2024 7 a.m.

Must see films for a Halloween movie marathon.

COLUMN: ‘It’s What’s Inside’ may be suspenseful, but it isn’t scary

By Ursula Stickelmaier · Friday, Oct. 25,2024 9:53 a.m.

Horror may be the wrong genre, but Netflix’s “It’s What’s Inside” is worth watching.

COLUMN: 'The Substance’: a disgustingly fun film that explores beauty standards in Hollywood

By Sophie Albert · Tuesday, Oct. 22,2024 12:01 p.m.

‘The Substance’ uses body horror to explore the effects beauty standards have on women.

COLUMN: “Saturday Night” is chaotic perfection

By Halie Jasinover · Friday, Oct. 18,2024 9:54 a.m.

The comedy is a rollercoaster that never lets you catch a breath.

COLUMN: 1999: A year in film

By Halie Jasinover · Wednesday, Oct. 16,2024 1:01 p.m.

25 years later, these films remain iconic.

Heartland International Film Festival brings film from across the world to Indianapolis

By Danny William · Sunday, Oct. 13,2024 4:39 p.m.

The Heartland International Film Festival began Oct. 10.

COLUMN: Warm and fuzzy flicks to watch this fall

By Prakriti Khurana · Wednesday, Sept. 18,2024 8:59 a.m.

De-stress this fall season by rewatching these feel-good fan favorites.

COLUMN: The Rom-com renaissance

By Halie Jasinover · Friday, Sept. 13,2024 3:33 p.m.

Romantic comedies are serious work.

COLUMN: Finding feminism in 'His Girl Friday'

By Elizabeth Bowling · Tuesday, Sept. 10,2024 5:21 p.m.

The 1940 film was greeted with a receptive audience at the IU Cinema.

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