Review

COLUMN: ‘The Banshees of Inisherin’ is a hilariously grim metaphor for the Irish Civil War

By Erin Stafford · Tuesday, Jan. 10,2023 5:03 p.m.

Renowned Irish actors Colin Farrell and Brendan Gleeson star in this dark comedy.

COLUMN: Five holiday films to watch after finishing your finals

By Chloe Fulk · Wednesday, Dec. 14,2022 3:56 p.m.

Relax, bundle up and celebrate the end of the semester.

COLUMN: SZA’s 'SOS' encompasses every emotion

By Lainee Kirk · Wednesday, Dec. 14,2022 11:47 a.m.

R&B artist SZA’s new album reaffirms her role as an artist to be celebrated.

COLUMN: half•alive refines their intricate sound on ‘Conditions Of A Punk’

By Grant Wheeler · Tuesday, Dec. 6,2022 1:31 p.m.

The band’s second full-length album follows its preview, released in February.

COLUMN: Weyes Blood paints celestial soundscape on ‘And In The Darkness, Hearts Aglow’

By Grant Wheeler · Thursday, Dec. 1,2022 5:38 p.m.

The singer’s fifth studio album is airy and heartfelt, using consistency to its advantage.

COLUMN: November film round-up: reviewing ‘Bones and All,’ ‘She Said’ and more

By Chloe Fulk · Monday, Nov. 28,2022 4:14 p.m.

Here are some reviews of the big-name films this year.

COLUMN: MGMT throws back to psychedelia-inspired experiment on ‘11.11.11’

By Grant Wheeler · Thursday, Nov. 17,2022 12:45 p.m.

The live album was recorded at the Guggenheim as part of an exhibit in 2011.

COLUMN: Run the Jewels hosts Latin American producers, artists on ‘RTJ CU4TRO’

By Grant Wheeler · Tuesday, Nov. 15,2022 2:58 p.m.

The rap duo opened their work up to remixes to mixed effect.

COLUMN: ‘Black Panther: Wakanda Forever’ is a moving tribute for a fallen king

By Chloe Fulk · Tuesday, Nov. 15,2022 12:53 p.m.

The film comes two years after the passing of Chadwick Boseman.

COLUMN: Sink your teeth into season one of ‘Interview with the Vampire’

By Chloe Fulk · Thursday, Nov. 10,2022 3:39 p.m.

The new show improves on the 1994 film based on the same novel.

COLUMN: YouTuber Matt Watson’s debut album ‘SEE YOU THERE’ shows promise, lacks vigor

By Grant Wheeler · Tuesday, Nov. 8,2022 12:24 p.m.

The “SuperMega” co-host has been making comedic music for YouTube since 2014.

COLUMN: ‘Sexy:’ indie pop’s hottest girl album of 2022

By Charlotte Jones · Tuesday, Nov. 8,2022 12:19 p.m.

Pop duo Coco & Clair Clair expand on their playgirl aesthetic with their sophomore album.

COLUMN: Harry Styles sucks the life from dull melodrama ‘My Policeman’

By Chloe Fulk · Tuesday, Nov. 8,2022 12:15 p.m.

“My Policeman” is a tired tale of forbidden love that’s been done many times before.

COLUMN: The master of stop-motion animation is back with ‘Wendell & Wild’

By Chloe Fulk · Thursday, Nov. 3,2022 2:03 p.m.

This is Henry Selick’s first film since 2009’s “Coraline.”

COLUMN: ‘Triangle of Sadness’ is an ambitious satire finding an easy target in the mega-rich

By Chloe Fulk · Tuesday, Nov. 1,2022 2:25 p.m.

The “Lord of the Flies” style satire won the Palme d’Or at the Cannes Film Festival.

COLUMN: Natalia Lafourcade returns with a quiet vengeance on ‘De Todas las Flores’

By Grant Wheeler · Monday, Oct. 31,2022 4:18 p.m.

The singer hadn’t released a full album of original music since 2015.

COLUMN: cleopatrick’s ‘DOOM’ briefly showcases a renewed and vital sound

By Grant Wheeler · Wednesday, Oct. 26,2022 2:57 p.m.

The duo’s newest EP brings minor but exceedingly promising changes.

COLUMN: Young the Giant neatly concludes a saga on 'American Bollywood: Acts III & IV'

By Grant Wheeler · Tuesday, Oct. 25,2022 4:42 p.m.

This release is the final two parts of a four-act album.

COLUMN: Melancholy, memories and misunderstandings: exploring the poignancy of ‘Aftersun’

By Chloe Fulk · Tuesday, Oct. 25,2022 3:52 p.m.

Paul Mescal shines in Charlotte Wells’s debut loosely based on her own life.

COLUMN: Taylor Swift’s ‘Midnights’ and the myth of perfectionism

By Ellie Albin · Sunday, Oct. 23,2022 4:40 p.m.

Taylor Swift’s vulnerability on her tenth studio album only strengthens her relatability.

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